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Little Big Town in 2002 at Lowe’s Motor Speedway
Although the band has now released 10 studio albums (11 with Biggest hits) and has taken home eight Academy of Country Music awards, nine Country Music Association trophies, and three Grammys, their rise to fame (or as they might say, their “road here”) hasn’t been easy.
The group didn’t land their first number one hit until 2005, after being dropped by their record label in 2002. But even the song’s success was not without personal heartache.
“When my husband died, they literally picked me up and carried me. They were my arms and legs for so many days,” says Schlapman, whose first husband, Steven Roads, suffered a fatal heart attack in 2005, just as the group had its first big hit with “Boondocks.”
“It took our connection to a new level and touched on things that families share and that no one else really understands or knows,” she says.
“I think this is probably the moment for all of us,” Westbrook says, reflecting on the loss of his friend. “These are the things you go through with family. Realizing at the time that our careers had been so front and center, you thought, ‘Oh, we’re still living our lives, and no matter what we do, these are the moments that matter.'”
As their careers soared, so did their lives: Westbrook and Fairchild married in May 2006, and Sweet married his wife the following year.
Related: Kimberly Schlapman of Little Big Town believes her daughter was a ‘gift’ from her first husband in heaven
Schlapman also found love again and married Stephen Schlapman in November 2006.
And now, with 25 years of experience, Little Big Town will continue to move forward (and speak its mind).
The band has a unique ability to sing about drinking on pontoons and the difficulties young women face as they grow up, lending their vocals to songs about birth and growing up in the boonies as well as songs about love and loss and everything in between.
“I’m very proud of us as a band for being willing to say things that other people might not say,” says Fairchild. “‘Sugar Coat’ ultimately wasn’t a commercial success because some people, the gatekeepers, felt that nobody wanted to hear that from a woman, which -“
“The gatekeepers are all men,” Schlapman interjects.
“Right. There are songs like that – and we didn’t write that song, but it felt like ours – that are so meaningful. The same thing with ‘Daughters,'” says Fairchild. “There are some deep cuts that are really meaningful from a ‘saying something important’ perspective. Those are also, I think, the enduring songs that we’ll look back on and say, ‘Wow. We said those things when nobody else really wanted to.'”